Saturday, August 22, 2009
Additional DMCA Rulemaking Questions Received
“From your unique perspectives, is there a limitation, either in terms of duration or percentage (or both), which could be incorporated into the definition of an exempted class of works?”
Specifically, the copyright office suggests the following language could possibly be used in the context of finished products (remixes) for crafting the new exemption:
“… the portions of any single work used shall be, collectively, no greater than x minutes in duration and represent no greater than y percent of the duration of that work….”
The questions also acknowledge how creating a quantity limitation might be objectionable to some, but since this is not a redrafting of section 107, but is instead an administrative rulemaking proceeding, they are asking for suggestions from hearing participants nonetheless. They state:
“Again, we recognize that for purposes of fair use, what may be a reasonable duration in one case will not necessarily be a reasonable duration in another case, we are not proposing to codify the fair use doctrine in this rulemaking proceeding. However, this is a regulatory proceeding and for the purposes of promulgating a regulation governing exemptions from the prohibition on circumvention, we are inclined to believe that more specific limitations are advisable so that, at least for purposes of predicting liability under section 1201(a)(1), users will find sufficient guidance in the regulatory text.”
The questions were emailed to hearing participants Friday August 21, 2009 at 5:38 pm, EST. Responses are due September 8, 2009 by 5 pm.
Friday, August 14, 2009
EFF's von Lohmann provides analysis on DMCA-DVD jukebox cases
"Just one day after Judge Patel's ruling against RealDVD, a California appeals court has ruled against Kaleidescape, reversing the lower court and sending that case back for a fresh determination of whether Kaleidescape violated the terms of the DVD-CCA license."
http://www.eff.org/deeplinks/2009/08/judge-rules-against-realdvd
RealNetwork loses ruling in DMCA related case
http://news.cnet.com/8301-1023_3-10307921-93.html
Wednesday, May 20, 2009
Canada Put On Another US "Watch" List
"Because one unfounded and unsupportable designation as a pirate nation is never enough, the U.S. Congressional International Anti-Piracy Caucus has placed Canada on a watch list alongside China, Mexico, Russia and Spain. This is a separate list from the USTR Special 301 list."
http://www.michaelgeist.ca/content/view/3990/196/
Just today I revised a chapter that I hadn't read in two years. It discusses Canada's amazing CCH opinion, an opinion that took the US fair use doctrine and broadened it. Copying (fair use) for research, private and commercial is legal in Canada. Downloading for private use is legal, and uploading is not illegal. Canada has taken a pretty clear stand on protecting user rights - the country probably has the broadest user protection of any country. And you can see the results. Obama's committed to enforcing IP rights and will appoint a Czar soon. The content industry will continue to exert pressure, lobbying pressure, on US politicians, and in turn, Canada will continue to be a focus of US attention in this area.
First Person is Convicted Under DMCA for Selling Circumvention Tool
Cnet News reports today that Adonis Gladney has been convicted of selling fake Microsoft product keys.
"Gladney, 24, is believed to be the first person convicted for DMCA violations dealing with the circumvention of security protections on software, according to Assistant U.S. Attorney Craig Missakian. Typically, product keys are used to activate software and are printed on Certificate of Authenticity labels that accompany legitimate products."
http://news.cnet.com/8301-1009_3-10242343-83.html
My opinion is that there's always a balance to be maintained between users/creators and corporate interests. It was clear at the rulemaking hearings that the DMCA's anti-circumvention provisions are completely useless and ineffective. Users are circumventing and creating all kinds of digital remixes. The corporate interests have no choice but to now go after those who sell these kinds of tools that permit hacking. This result also gives me hope though, because maybe the tides are turning for those who circumvent in order to make a fair use of existing materials. If the copyright office grants an exemption to the DMCA for educational users, it will probably be a matter of days before the corporate interests create licenses that permit users to circumvent, and then offer a cheap, legal tool for doing so.
Tuesday, May 19, 2009
Friday, April 24, 2009
Quote: "Obama Administration Lock(e)s And Loads Against Movie Piracy"
From the Intellectual Property Watch:By Liza Porteus Viana for Intellectual Property Watch @ 12:41 am
[being quote]WASHINGTON, DC - The Obama administration will fight for the movie industry and work to aggressively enforce its intellectual property protections both at home and abroad, United States Commerce Secretary Gary Locke said here Tuesday.
Locke offered almost unabashed support for the industry, which, according to a report released Tuesday [pdf] by the Motion Picture Association of America (MPAA), created 2.5 million American jobs in 2007, paid an average production worker US$74,700 a year in salary, paid out $41.1 billion in salaries to American workers, paid $13 billion in income and sales tax and was responsible for $13.6 billion in trade surplus.[end quote]
I am really concerned about the one-sidedness of Locke's perspective. Where are the voices of the NCTE lobbyists? Do they even know what is at stake here?
Friday, March 27, 2009
Library Organizations To File Amicus Brief in Google Book Search Settlement
The full story: http://www.libraryjournal.com/article/CA6640461.html
Friday, February 27, 2009
The Obama Hope Poster Case
http://www.npr.org/templates/story/story.php?storyId=101187066
To clarify his discussion - the Campbell v. Acuff-Rose Music, Inc. (1994). 510 U.S. 569, 583-585 case never actually held 2 Live Crew's use was fair use, but instead suggested the use might be fair use, and sent it back down to the lower court for a determination. To quote: "Held: 2 Live Crew's commercial parody may be a fair use within the meaning of §107. Pp. 4-25. " Notice the word "may." http://www.law.cornell.edu/supct/html/92-1292.ZS.html
The four factors are not applied as willy nilly as might be suggested in the interview.
David Nimmer (2003), a leading intellectual property scholar, conducted a study on copyright cases decided between 1994 and 2002, and found 90% of the time, if three of the four factors are found in favor of fair use, fair use is affirmed. One cannot generalize his findings though, because he did not randomly select the 60 cases he examined, nor did he analyze all reported decisions. Overall, of the 60 cases he examined, 24 upheld fair use and 36 denied it (pp. 269-277). Nimmer also analyzed percentage correspondences between each of the four factors and a favorable determination with correspondences ranging from 42% correspondence to factor two, and 57% correspondence to factor four, in the context of overall favorable findings. He states across all four factors, there is a 51% correspondence to a favorable legal outcome.Nimmer, D. (2003). “Fairest of them all” and other fairy tales of fair use. Law & Contemp. Probs., 66, 263-287.
There's other copyright and non-copyright issues as well other than the "fair use" claim. (I have not read the case but according to NPR, the potential copyright infringer is the one who filed the case for some kind of declaratory relief - always problematic because whoever filed the case has the burden -- I always think of this as if you are going to start the problem, then you will have the burden of proving yourself correct).
If I were arguing against the AP, I’d assert that the Obama photograph is not original. Per copyright law, in order for an artifact to be copyright protected, it must be an “original work of authorship fixed in any tangible medium of expression.” http://www.copyright.gov/t
Also note that “fixed” means fixed with authorization. http://www.copyright.gov/t
Then there is right to publicity issues going against AP:
http://www.publaw.com/righ
Then of course, I’d recommend the AP lawyers read chapter 7 of this book when it is published in 2 months.
http://www.sunypress.edu/d
:)
Wednesday, November 26, 2008
Managing Your Site and Reducing Your Legal Risks
A brief overview is given on this space that provides links to further readings on reducing legal liability. http://www.citmedialaw.org/legal-guide/managing-your-site-and-reducing-your-legal-risks
The section on dealing with legal threats is especially helpful. It provides information on what to do if you receive a letter or communication threatening legal action.
http://www.citmedialaw.org/legal-guide/dealing-legal-threats-and-risks
The website also has some very smart advice on responding to correspondence threatening legal action. http://www.citmedialaw.org/legal-guide/responding-correspondence-threatening-legal-action
I think the one important thing to remember is to ask whether it is worth it to resist a legal threat and face possible litigation in a given context. While you might be justified in your use of material, do you have the time and resources to fight a law suit on principle for the publishing of material that may not be at all crucial to your success? Most of the time, for example, with respect to "fair use," you really don't know if it really really really is "fair use" until a court says it is. $500,000.00 later, it might not have been worth it. On the other hand, if individuals don't resist unreasonable legal threats once in awhile, speech really could be chilled, although in my research I didn't find that it was, yet, with respect to academics writing in educational digital contexts.
Monday, November 17, 2008
Code of Best Practices in Fair Use for Media Literacy Education
The Code may be downloaded here:
http://www.centerforsocialmedia.org/resources/publications/code_for_media_literacy_education/
The Media Education Lab at Temple University has also created some innovative curriculum materials—including “Schoolhouse Rock” style songs, case study videos and lesson plans. These items are available here:
http://www.mediaeducationlab.com/
Thursday, November 6, 2008
Saturday, November 1, 2008
The inaugural Conference on Intellectual Property (CIP) will be held in June
The inaugural Conference on Intellectual Property (CIP) will be held on June 12-13th 2009 at Iona College in New Rochelle, NY, and will include keynote addresses by Laura M. Quilter, M.L.S., J.D. and painter Joy Garnett.
Whether it be the submission of student papers to plagiarism-detecting websites, the marketing of a movie that chronicles the challenges of a windshield wiper inventor, or the latest debates over the application of nonobvious intention, issues involving intellectual property in the academic, economic, legal, and technological fields challenge the very notion of ownership: what we own, how we own, and who may claim ownership. The purpose of this conference is to explore intellectual property, in a cross-disciplinary context, as both a concept and a reality relating to the professional fields whose concerns intersect in understanding its essence and implications.
We invite papers and panels dealing with any and all aspects of intellectual property, from the origins of eighteenth-century literary property debates to the viability and ethics of plagiarism and plagiarism detection, from the economic impact of patents to the technological advances that may make intellectual property obsolete. We especially encourage papers/panels that embrace a multidisciplinary or interdisciplinary approach.
CIP papers and/or abstracts will be included in a conference proceedings, and selected essays may be published in a proposed collection for a peer-reviewed press.
Papers/Panel abstracts should be submitted by February 5th, 2009 to Dr. Amy Stackhouse at astackhouse@iona.edu or Dr. Dean Defino at ddefino@iona.edu. We look forward to a fruitful and collegial experience. For more information, please see the conference website at www.iona.edu/cip.
Keynote Speakers:
Laura Quilter is an attorney and researcher in technology and information law and policy. Laura's research and practice particularly focuses on the rights of information users, including consumers, libraries, creators, and scientists, and she regularly speaks and writes on these matters. She earned her law degree from Boalt Hall School of Law, University of California, Berkeley, in 2003, and her library science degree from the University of Kentucky in 1993. http://lquilter.net/
http://lquilter.net/index.php
Painter Joy Garnett appropriates news and documentary photographs from newspapers, internet and other media, and re-invents them as paintings. Her work mines the tensions between the open-ended narratives of art, and ubiquitous media representations of real-life events. Ms. Garnett's work has been exhibited in museums and galleries around the world, including the Whitney Museum of American Art in NYC, the National Academy of Sciences in Washington, D.C., and the Witte Zaal in Ghent, Belgium, and reproduced in numerous publications, from Harper's to Cabinet magazine. In 2004, she was awarded a grant by the Anonymous Was a Woman foundation, and she currently serves as Arts Editor for Cultural Politics, a refereed journal published by Berg in Oxford, UK.
http://www.firstpulseprojects.
Doan Honey, Mocha Coffee, Olive Oil Soap
An new group has been formed through the Arab League: the Arab Society for Geographical Indications (ASGI).
This society seeks to protect Arab products through international intellectual property agreements, namely TRIPS.
TRIPS, the Trade-Related Aspects of Intellectual Property Rights Agreement, a World Trade Organization agreement, defines Geographical Indicators in Article 22:
“indications which identify a good as originating in the territory of a member, or a region or locality in that territory, where a given quality, reputation or other characteristic of the good is essentially attributable to its geographical origin.”
Some example items:
Doan honey from
Mocha coffee from
Masafi from the
Olive oil soap from
Water from al Feejah spring in
Lebanese tabbouleh
Argan oil from morocco
These discussions of geographical indicators are always interesting because they embody examples of resistance to cultural appropriation, but this resistance is trying to be accomplished within the western paradigm of naming, owning, and individuating. I am always reminded as well, that although cyberspace connects us, in many ways our identities are still tied to place, topos, literally real property. I also find these discussions interesting because when I read the “origins” of items I am familiar with, my reaction is always: “I never knew that came from there”!
A full story on this topic is located in the Intellectual Property Watch
Thursday, October 23, 2008
Wednesday, July 30, 2008
Digital Course Packs Case - University Asserts Soverign Immunity, Fair Use, Discovery Process Begins
I’ve been following the Cambridge University Press et al v. Patton et al (Patton et al are being sued in their official capacity representing the University of Georgia) – a case where publishers challenge the use of digital versions of publications provided to students through various digital management systems – electronic course reserves, Web Ct, and so on. The publishers initiated their lawsuit with a complaint; the university’s filed their formal Answer, and the parties are now initiating the “discovery” process – discovery is a term of art use to describe the formal process of gathering evidence.
All of the legal proceedings are being collecting here:
http://martinecourantrife.blogspot.com/2008_04_01_archive.html
And I’ve mentioned the Answer, or the university’s position here:
http://martinecourantrife.blogspot.com/2008/07/in-lawsuit-university-asserts-that.html
http://martinecourantrife.blogspot.com/2008_06_01_archive.html
I’ve had time to more closely read the university’s Answer and so I provide an update.
On April 15, 2008, publishers, Cambridge University Press, Oxford University Press, and Sage Publications, filed a complaint in the US District Court for the Northern District of Georgia, Atlanta Division, against various representatives of Georgia State University regarding what the publishers allege to be “pervasive, flagrant, and ongoing” (p.3) infringement of their copyrights.
While many of the “infringing” examples cited by Cambridge et al. include the digital distribution of only one chapter of a work, the publishers argue that the amount copied “vastly exceeds . . . fair use in an educational setting” (p.3). It appears from the complaint that most of the information supporting the plaintiffs’ allegations was gleaned from accessing GSU’s online library course reserves. According to plaintiffs, these reserves, including links to instructors’ syllabi as well as digital copies of copyrighted course readings, were freely available not just to students, but to the public in general, at least until the university responded to a request from plaintiffs to address the issue. The university subsequently required students use a password to access the materials.
The complaint lists the various practices by GSU and its faculty that the publishers object to. Such practices include:
1. Creating anthologies by mixing together various readings under the professor’s directions: “practice of anthologizing” (p. 18).
2. Constructing classes such that students never “set foot in a bookstore or expend . . . a single cent” (p. 5) in order to participate in a course.
3. Using copyrighted materials without proper permission or payment of fees (the copyright clearance center is suggested as a viable alternative).
4. Construction of “digital course packs” used semester after semester.
5. GSU’s copyright guidelines, which they argue “plainly exceed legal boundaries” (p. 17)
In its response (“Answer”), the university admits that various chapters were provided by sundry faculty to students in digital format. (The university provides 18 defenses total, all of which I will not recite here):
“GSU admits that students in the Spring 2007 term of Professor Belcher’s course “Qualitative Research” ( AL8961) were given access to five digital excerpts from the second edition of the Handbook of Qualitative Research, edited by Norman Denzin and Yvonna S. Lincoln and published by Plaintiff SAGE Publications” (p. 11).
The Answer goes on to list in great detail exactly what was and was not available to students in digital format. However, the university denies that it was creating digital anthologies, as alleged by the publishers.
With respect to having digital copyrighted materials available in a public space for all to access with no password, the university states: “GSU admits that a software mistake was discovered in May/June 2007 and that this software mistake enabled views without a password to access Course Researches Pages through clicking one of more of the other columns on a Course Research Index page . . . GSU contacted the software vendor to repair the mistake so that only students who are given a specific password by the instructor can access the pages” (p. 16).
Throughout the Answer, the university asserts that it relies on fair use for its use of digital materials.
SOVEREIGN IMMUNITY
An interesting aspect of the lawsuit that has arisen is the status of the legal entity being sued. While I state that the university has filed the Answer, it has done so through the attorney general of the State of
"GSU denies that
Due to GSU’s legal entity status as “The State,” in its Answer it thus asserts sovereign immunity under the 11th amendment of our Constitution:
"The Judicial power of the
http://caselaw.lp.findlaw.com/data/constitution/amendment11/
I will just say here that the concept of sovereign immunity is extremely complex and has been interpreted variously and sometimes inconsistently. It will be interesting to see how the court deals with this, in the event the case is not settled before the production of a judicial opinion. I like to think about sovereign immunity because it plays with our ideas of authorship. I don’t usually see myself, as an employee of a public teaching institution, as “The State,” with respect to my writings in the scope of employment. There are some really interesting intersections between authorship concepts, work-for-hire, and our status as “The State,” (as opposed to “the individual”) that have been largely unexplored in rhet/comp.
Other defenses that GSU raises are the statute of limitations and laches. Both concepts deal with time – that is, both argue that too much time has expired before the injured party took legal action, and provide a remedy that bars either fully or partially, the lawsuit. Laches is an equitable doctrine, and the statute of limitation (usually three years for copyright law), is a legal doctrine. Chaim Perelman, writing on Aristotle, points out that Aristotle categorized equity and law, saying something along the lines that equity is the crutch of the law – i.e. it comes into play with the “law is lame.”
William Patry has a nice summary of the difference between the statute of limitations and laches.
Laches and the Statute of Limitations
Wednesday, July 23, 2008
Educational Use of "Flat Stanley" Threatened by Intellectual Property Claims
http://www.flatstanleyproject.com/
From the George Lucas Educational Foundation Article:
"Today, the project has become a veritable global phenomenon, and because of it, thousands of children from more than forty countries have exchanged pictures, stories, and goodwill, turning a half-inch-thin storybook character into a cultural icon. Flat Stanley look-alikes have even been photographed with Clint Eastwood on Oscar night, soared aboard a space shuttle, and visited heads of state around the globe. But now, as the project enters its thirteenth year, Hubert might be forced to pull the plug on the popular project.
Citing legal challenges from the estate of Jeff Brown, the late author of the original Flat Stanley book, Hubert posted a message on the project home page that reads, 'Sadly, the Flat Stanley Project may be forced to end.' Letters of support illustrating the project's -- and the character's -- far reach have since poured in."
Tuesday, July 22, 2008
Is There a Chilling of Digital Communication?: The Dissertation
I've finished a complete copy of my dissertation and submitted it to the committee.
http://sites.google.com/site/martinecourantrife/
An abstract for the 300+ page document appears below.
ABSTRACT
IS THERE A CHILLING OF DIGITAL COMMUNICATION? EXPLORING HOW KNOWLEDGE AND UNDERSTANDING OF FAIR USE INFLUENCE WEB COMPOSING
The study’s six major findings are that 1) web spaces are sites of cultural collision, or commonplaces, where students occupy sometimes conflicting positions such that the very notion of “studentness” is inverted. Web spaces as commonplace challenge existing concepts such as “author” and “originality”; 2) The intertextuality of web-space-writing provides support for Foucault’s theory that the single author is an ideological production representing the opposite of its historical function, i.e. the “author-function,” in the larger culture. “When a historically given function is represented in a figure that inverts it, one has an ideological production” (Foucault, 1984, p. 119). No support was found for a human culture existing without an “author-function,” whether it is a workplace culture or even a more community-knowledge-focused culture as exists in
The author ends the study by calling for more research in the area of copyright law’s agency in the composing process, suggesting that drawing upon Actor Network Theory and its notion of radical symmetry might prove helpful for future studies.
Sunday, July 20, 2008
Code of Best Practices in Fair Use for Online Video released by Center for Social Media
The Center for Social Media at
- Commenting on or critiquing of copyrighted material.
- Using copyrighted materials for illustration or example.
- Capturing copyrighted material incidentally or accidentally.
- Reproducing, reposting, or quoting in order to memorialize, preserve, or rescue an experience, an event, or a cultural phenomenon.
- Copying, reposting, and recirculation a work or part of a work for purposes of launching a discussion.
- Quoting in order to recombine elements to make a new work that depends for its meaning on often unlikely relationships between the elements.
