Showing posts with label legal liability. Show all posts
Showing posts with label legal liability. Show all posts

Thursday, October 15, 2009

Delaware Court on case of first impression holds photographs published on web in Germany not "published" in US

From Loeb & Loeb LLP: "District court, addressing what it determined to be an issue of first impression, holds that posting a work created outside the U.S. on a website outside the U.S. by a foreign national does not constitute publishing the work simultaneously in the U.S., and therefore plaintiff did not need to register his photographs before filing suit for infringement in a U.S. court."

http://www.loeb.com/news/CaseList.aspx?Type=ip

The opinion states that publishing the work (photos) in Germany is not "publishing" for purposes of the requirement for registration needed on US works in order to bring suit in the US, even though after published on the web in Germany the photos were immediately available on the web in the US.

The court states on page 8, "Thus, in a case of first impression, this Court must consider the correlation between the posting of foreign copyrighted works on a foreign website and the copyright holder’s ability to file suit for infringement in the United States pursuant to the United States Copyright Act."

The court has held that even though, in reality, when the photos were published in Germany they were simultaneously published in the U.S., "as a matter of statutory law" they were *not* published in the U.S.

The opinion doesn't describe that copyright registration is a relatively easy process, and registration is needed to bring suit, not to have copyright protection.

From the opinion:
“What appears to be a simple premise actually joins an issue of first impression not addressed by any court. Defendants contend that plaintiff’s photographs, which were created undisputably outside the United States, are United States works because when
they were posted on a German website, they were ‘published’simultaneously in Germany and in the United States . . . because the posting of a photograph on a website simultaneously ‘publishes’ the photograph ‘everywhere,’ including the United States, it is a ‘United States work,’ and as such, it must be registered prior to filing suit for infringement . . . Professor Cotter explains, however, that the determination of the country of origin is not so simple, as that determination hinges on whether the work is ‘published,’ and, if so, where the work is published . . . The Court does not need to delve into yet another unsettled issue, however, because even assuming that the German website ‘published’ plaintiff’s photographs, the Court holds that as a matter of U.S. statutory law the photographs were not published simultaneously in the United States.” Moberg v 33T LCC, US District Court Delaware







Friday, October 2, 2009

Communications Decency Act Issues Raised in Recent Facebook Suit

Facebook is being sued for content it has posted according to an article in PC Mag.com.

http://www.pcmag.com/article2/0,2817,2353659,00.asp


A comprehensive discussion of issues around the Communications Decency Act of 1996, Section 230, is located here:

http://www.cdt.org/publications/policyposts/2008/4


An excerpt from this article by the Center for Democracy & Technology states:

"The four amicus briefs [filed by the CDT] essentially all argue for the same thing: a continued reading of §230 in the spirit that Congress intended and that a multitude of courts have so far followed. Any departure would otherwise stifle the provision's purpose and undermine industry strides towards responsible self-regulation. In those briefs, CDT argues that "intermediaries" - ISPs, websites, and online service providers that enable other people - Internet users - to post content onto the Internet should not be held liable for the content posted. To hold intermediaries liable would greatly chill their willingness to host online content created by others. To use a simple example, if the YouTube.com video sharing website had to be legally responsible for the content of the tens or hundreds of thousands of new videos posted to it each day, the site could not possibly continue to operate as an open forum for users' video expression."

The Citizens Media Law Project also provides a comprehensive overview:

http://www.citmedialaw.org/section-230

And, another excellent discussion on David Johnson's blog

http://www.digitalmedialawyerblog.com/2009/09/lessons_from_batzel_v_smith_no.html

High court approves injunction via Twitter

In the guardian.co.uk http://www.guardian.co.uk/technology/2009/oct/01/twitter-injunction

Friday, August 14, 2009

EFF's von Lohmann provides analysis on DMCA-DVD jukebox cases

Fred von Lohmann of EFF has provided a thoughtful analysis of the two recent DVD - DMCA-related cases that have been decided this week.

"Just one day after Judge Patel's ruling against RealDVD, a California appeals court has ruled against Kaleidescape, reversing the lower court and sending that case back for a fresh determination of whether Kaleidescape violated the terms of the DVD-CCA license."

http://www.eff.org/deeplinks/2009/08/judge-rules-against-realdvd

RealNetwork loses ruling in DMCA related case

"The decision represents a major victory for the film studios, which had accused Real of violating the Digital Millennium Copyright Act (DMCA) and breach of contract in a lawsuit filed last fall."

http://news.cnet.com/8301-1023_3-10307921-93.html

Monday, June 22, 2009

U.S. Copyright Office Submits Questions to DMCA Rulemaking Participants

The hearings take place every three years in order that the U.S. Copyright Office might consider creating exemptions to the anti-circumvention provisions of Section 1201, Title 17 of the Copyright Act - known as the DMCA. Since I participated in the May 2009 hearings, I received two sets of questions, one for each panel I served on. (Answers due July 10, 2009)

The questions are below. One set of questions is about whether or not screen capturing software works with DVDs and whether or not screen capturing software circumvents the anti-circumvention technologies --CSS of DVDs. The other set of questions is about whether or not the exemption to 1201 could be fairly applied to documentary filmmakers (as a "class" under the statute) and if so how you'd define that class. (Currently the exemption for film studies professors is set to expire in October).

To give a brief context for these questions, the U.S. Copyright Office, during the hearings, was probing for a method for users to remix DVD content without circumventing, and without having to video record TV screens by setting up tripods in their living rooms. The MPAA would not say that screen capturing software was legal under 1201 even when asked directly about this topic during the hearings. I have blogged more about this in this blog if you are interested in details.

In the preface to its questions, the copyright office says that the questions themselves *should not* be interpreted as indicating a recommendation. The recommendation is due in October 2009 from the Copyright Office. See http://www.copyright.gov/1201/ .


Question Set #1 (Quote from Copyright Office Communication)

Introduction:

At the hearings, the MPAA introduced evidence that videotaping the output of a television screen was an alternative to circumvention for desired noninfringing uses by users. In addition to capturing the output of a television or computer screen with a video camera, screen capture software exists for a wide range of purposes. At the hearings, one particular software program was used to illustrate that software-based screen capture is capable of reproducing the output from a CSS-encrypted DVD. Examples of such capture software include: [here the copyright office listed three software producers - this information will be available on the DMCA website and also will be referenced in answer to the questions when those answers are posted on the DMCA U.S. gov website-and is also in the transcripts which are available now on the DMCA site-and likely FOIA-able http://www.copyright.gov/1201/]. The questions below relate to the capture of clips from CSS-protected motion pictures on DVDs.

Please explain whether the legal consequences of using capture software differ from the legal consequences of using a digital video camera (with particular reference to 17 U.S.C. § 1201).

Is it a violation of § 1201(a)(1) to use screen or video capture software (hereinafter "capture software") to reproduce clips from copyrighted motion pictures or audiovisual works?

Is there particular capture software that decrypts the Content Scrambling System on DVDs?

Is there particular capture software that does not decrypt the Content Scrambling System on DVDs?

To the best of your ability, please explain how screen capture software operates, e.g., does reproduction take place after the work is lawfully decrypted?, Does the capture software reproduce the digital output from the computer, or does the capture software reproduce the analog output from the computer? Does this analog/digital distinction matter for determining whether a violation of § 1201(a)(1) is taking place?

Is the output encrypted at the time of capture by the software or is the output decrypted at the time of capture?

Do different screen capture programs involve significantly different methods of capturing screen and/or audio output?

There was an example of screen capture software at the § 1201 hearings and some witnesses pointed out that the example presented revealed quality degradation, e.g., pixelation. Can capture software be adjusted in order to affect the quality of the reproduction of the video or audio captured? If so, how?

Can the computer on which the capture software resides be adjusted to affect the quality of the output, i.e., by adjusting the settings of the operating system, video card or sound card software rather than the settings within the capture software itself?

It was claimed that screen and video capture technology does not work with Microsoft Vista. Is this true, and if so, why?

Are there other operating systems on which screen capture software will not operate?



Question Set #2 (Quote from Copyright Office Communication)

The first two questions envision a scenario where a user intends to reproduce a small portion of a motion picture or audiovisual work on a CSS-encrypted DVD for a particular use, such as the use of a portion in a documentary film.

Can a portion of a motion picture on a DVD protected by CSS be decrypted, leaving the remainder of the motion picture encrypted by CSS?

Is it necessary to make a copy of the entire motion picture as a first step in order to make a copy of only a portion of the motion picture?

Documentary filmakers' proposed class of works limited the persons who would be eligible to invoke the exemption to a documentary filmmaker, who is a member ofan organization of filmmakers, or is enrolled in a film program or film production courseat a post-secondary educational institution. Is it appropriate to limit the persons who would be eligible to invoke the exemption? Why? If you believe it would be appropriate, what criteria could be used?

Are there any other appropriate ways to properly tailor the scope of the exemption?

Saturday, May 30, 2009

Acting Sua Sponte, the Second Circuit Creates Copyright Controversy that the U.S.Supreme Court Will Now Consider

“Sua Sponte”

http://en.wikipedia.org/wiki/Sua_sponte

Sua Sponte is acting independently, of one’s own accord. While the recently filed Elsevier et al. brief (http://www.abanet.org/publiced/preview/briefs/pdfs/07-08/08-103_Petitioner.pdf) characterizes the lower court’s behavior as sua sponte, after reading the opinion I’m not sure I agree. In fact, it appears the lower court, the second circuit court of appeals, was merely bringing forth arguments made by Elsevier et al. during settlement/mediation discussions. The lower court case was In Re: Literary Works in Electronic Databases Copyright Litigation, 509 F. 3d 116.

Now at the Supreme Court level, the case is named Reed Elsevier, Inc. v. Muchnick (but involves multiple parties on both sides of the issue). The case will be scheduled for oral argument in the October 2009 term of the Supreme Court. Currently, briefs are being filed in the case. The docket can be followed here:

http://origin.www.supremecourtus.gov/docket/08-103.htm

Question presented is:

Does 17 U.S.C. §411(a) restrict the subject matter jurisdiction of the federal courts

over copyright infringement actions?

411(a) is a section of title 17 that requires registration of copyrighted works in order to institute an action for copyright. The language reads as follows:

(a) Except for an action brought for a violation of the rights of the author under section 106A(a), and subject to the provisions of subsection (b), no action for infringement of the copyright in any United States work shall be instituted until preregistration or registration of the copyright claim has been made in accordance with this title. In any case, however, where the deposit, application, and fee required for registration have been delivered to the Copyright Office in proper form and registration has been refused, the applicant is entitled to institute an action for infringement if notice thereof, with a copy of the complaint, is served on the Register of Copyrights. The Register may, at his or her option, become a party to the action with respect to the issue of registrability of the copyright claim by entering an appearance within sixty days after such service, but the Register's failure to become a party shall not deprive the court of jurisdiction to determine that issue.

http://www.copyright.gov/title17/92chap4.html#411

The docket shows recent events in the case are as follows:

Mar 2 2009 Petition GRANTED limited to the following Question: Does 17 U. S. C. Sec. 411(a) restrict the subject matter jurisdiction of the federal courts over copyright infringement actions?

Mar 12 2009 The time within which to file the joint appendix and petitioners' brief on the merits is extended to and including May 18, 2009.

Apr 2 2009 Deborah Jones Merritt, Esq., of Columbus, Ohio, is invited to brief and argue this case, as amicus curiae, in support of the judgment below.

Apr 6 2009 The time for respondent Muchnick, et al. within which to file their brief on the merits in support of reversal is extended to and including June 1, 2009.

Apr 6 2009 The time within which to file brief of amicus curiae in support of the judgment below is extended to and including July 31, 2009.

Apr 6 2009 Any amicus curiae briefs in support of reversal are to be filed on or before June 8, 2009.

Apr 6 2009 Any amicus briefs in support of the judgment below are to be filed on or before August 7, 2009.

May 18 2009 Brief of respondents Letty Cottin Pogrebin, et al. in support filed.

May 18 2009 Joint appendix filed.

May 18 2009 Brief of petitioners Reed Elsevier, Inc., et al. filed.

So far, briefs on the same side of the issue (the publishers’ side) have been filed by Letty Cotin Pogrebin et al. and Reed Elsevier et al. The stance espoused in these briefs is that the second circuit was wrong in its holding and that the court should in fact have jurisdiction in order to certify the class and subsequently approve the offered settlement although some or most of the class involved in the settlement have copyrighted works that have never been registered as required under 411(a). Amicus briefs in support of the judgment below, i.e. the second circuit holding that the court does not have jurisdiction to certify the class and approve the offered settlement, do not have to be filed until August 7, 2009. Therefore, this case will be one to watch develop over the summer.

Basically, what happened in this case is that a class action settlement was reached subsequent to an earlier case New York Times Co. v. Tasini, 533 U.S. 483 (2001) . As part of the settlement process, a class must be defined and certified. If you recall, Tasini involved a dispute between freelance authors and newspapers at a time when writing went digital so quickly that corporate interests had failed to anticipate. With respect to the current Supreme Court case:

“This case presents an issue of exceptional importance to the nation’s freelance authors, newspaper and magazine publishers, archival databases, and the researching public. Its resolution will decide whether, in connection with the nationwide class action spawned by the New York Times v. Tasini case, the parties may globally settle their differences by compensating and releasing the claims of freelance authors with respect to all their contributions to the databases. Tasini expressly contemplated that databases, publishers, and authors could reach a court enforceable global settlement. On that basis, the parties and publisher spent over four years of intensive negotiations to reach an industry-wide settlement that was approved” (Elsevier Brief, p. 2).

The second circuit had been considering an appeal from the (lower) district court’s certification of the class in a class action lawsuit. “The precise issue on appeal was whether the district court had jurisdiction to certify a class consisting of claims arising from the infringement of unregistered copyrights and to approve a settlement with respect to those claims. It did not” (In Re, p. 2).

Tasini held that that if freelance authors’ writings were to be distributed and/or archived in electronic databases and formats, publishers had to have express licenses from those authors.

The second circuit (Judges Winter and Straub, Judge Walker dissenting) characterized Tasini as follows: “The contracts did not grant the publishers the right to electronically reproduce those works or license them for electronic reproduction by others. But the publishers did so anyway” (In Re, p. 4).

While in the present case, Elsevier et al. characterizes Tasini a bit differently:

“Tasini effectively compelled electronic publishers to purge their databases of many hundreds of thousands of newspaper and magazine articles for which written licenses had not been obtained. Obtaining such licenses retrospectively would be an insuperable task, given the sheer number of authors and works involved and the practical difficulties associated with finding the authors and executing individual agreements with each of them . . . following the second circuit’s Tasini decision, more than a score of freelance authors, supported by national authors’ rights trade organizations, filed lawsuits against online databases and certain publishers” (Elsevier, p. 2)

Here’s a quote from the brief filed May 18, 2009 by Reed Elsevier et al. describing how the issue now before the Supreme Court had arisen in the lower court, the second circuit:

“Shortly before argument, the second circuit panel sua sponte requested briefing on ‘whether the district court had subject matter jurisdiction over claims concerning the infringement of unregistered copyrights’ . . . All parties, including the objectors, responded that the district court had jurisdiction to approve the settlement” (p. 7).

But from my view, in the second circuit opinion, rather than acting completely independently of the parties involved, the court invoked the defendants’ (the publishers) arguments in reaching its decision:

“Before the mediator, defendants contended that this litigation possessed scant settlement value because the District Court could never certify the vast majority of the claims for inclusion in any proposed class.” Citing 411(a), the Defendants stated: “That rule . . . whose language could hardly be clearer, precludes the certification of any class respecting works in which a copyright has not been registered . . . the District Court lacks jurisdiction . . . to certify a class covering any unregistered works” (In Re, p. 5). The second circuit also pointed out that defendants provided survey evidence showing that only 1% of journalists registered their work and subsequently 99% of the claims at issue in the class were covering unregistered work.

So briefs asserting arguments in support of the second circuit decision have yet to be filed. This is an interesting case because it pits two sets of publishing stakeholders against each other in a rather unique fashion. (Publishers on one side, and authors and author trade organizations on the other side).

The case presents a sort of irony to some of the arguments made in comp/rhet that information should be set free, or that corporate interests should not over-regulate our use of information. In this case, the large publishers are arguing against their usual position – that information should be locked up, and in this case are arguing how sad it is that databases have had to be purged because copyright holders cannot be located (along the lines of the interests in the Orphan Works Act). In this case, publishers want to have free reign over the works of authors who did not expressly license their materials to be published in perpetuity in digital formats – freelance authors who I’m guessing were not paid much and were not provided health insurance, retirement, job security, and so on, i.e., marginalized peoples, in some ways.

My idea here is supported in some of the discussion in the second circuit opinion at issue. The class that was formed as a basis for the settlement before the lower court included three classes, A, B, and C.

“Category A claimants receive a flat fee. Category B claimants receive the greater of either a flat fee or a percentage of the original price of the work. By and large, Category C claimants also receive the greater of either a flat fee or a percentage of the original price of the work. Importantly, if the cost of all claims (plus the cost of notice, administration, and attorney’s fees) exceeds $18 million, then the amount paid to Category C claimants is reduced – potentially to zero – before the claims of Category A and B claimants are affected. This feature is called the ‘C-reduction.’” (In Re, p. 2) Category C claimants were largely those whose works had not been registered, and so the justification for their lower status in the settlement, according to the second circuit, was posited by the defendants as fair treatment since C claimants’ claims were for the most part worthless since they had not registered their works. The plaintiffs, according to the second circuit, basically agree with this.

So, what this boils down to is that the case is not really about whether or not information should be set free, but whether or not the publishing industry will benefit to the detriment of freelance authors, from inadequately anticipating the implications of the digital age rather suddenly befalling us in 2001.

I will be interested in following this case, and I’m willing to see how the arguments unfold. I also will commit more time to re-read Tasini and surrounding documents. But my inclination is to favor the holding in the second circuit that the court has no jurisdiction to approve a settlement that involves copyright claims and authors who have never registered their works.

I see some logical problems in the briefs I’ve read so far. If the court accepts the settlement via acknowledging jurisdiction, it is in effect preempting a copyright owner’s right to register their work – this seems a strange result. What I mean is, if the court had approved the settlement, it means that an author could register a work and be granted an official copyright, which would be meaningless due to the settlement. So that seems like a bizarre result. The other problem I have is that I interpret 411(a) as presenting a bar to the more powerful party in a copyright action, the copyright holder wishing to institute an action to enforce his/her rights. But in the present case, it’s being requested that 411(a) be used, or rather ignored, to present a bar to the weaker party in the copyright action, the author who never registered his/her work. In this case, the weaker party is *not* instituting the action. So, if the court would assume jurisdiction and rule in favor of taking rights from a party who had never registered their work, 411(a) would be inverted from what seems to me to be its intended purpose.

Further, the second circuit argued that if it were to assume jurisdiction in this case: “defendants’ position calls for an exception vastly broader than is found in any case by asking us to rule that registration of one party’s copyright would somehow provide jurisdiction over claims stemming from the unregistered copyrights of many other parties. We decline to do so” (In Re, p. 8).

So this is very problematic to me, and would produce inequitable results if it were embraced by the Supreme Court. In general I will be one to favor the weaker party in the lawsuit when the stronger party is moving against it, and thus has the burden. This is especially true in this case because the weaker party is not even present in the case both because of lacking registered works, and because of the possibility of being “represented” in the class (but remaining invisible) if it is indeed certified. The fair thing for the Supreme Court to do in this case is to affirm the second circuit. This seems very clear after reading the second circuit opinion which is available for free on its website using a search for docket number 05-5943.

Stay tuned.

Additional Resources

http://www.oyez.org/cases/2000-2009/2008/2008_08_103

http://jolt.law.harvard.edu/digest/copyright/in-re-literary-works-in-electronic-databases-copyright-litigation

http://www.nacua.org/documents/LiteraryWorksSettlementAgreement.pdf

http://www.law.cornell.edu/supct/html/00-201.ZS.html (New York Times v Tasini)

Citation for Second Circuit Opinion Being Appealed: 509 F.3d 116; 2007 U.S. App. LEXIS 27558; 85 U.S.P.Q.2D (BNA) 1217; Copy. L. Rep. (CCH) P29,494

http://www.ca2.uscourts.gov/

Publishers Involved

Thomason Corporation

Dialog Corporation

Gale Group, Inc.

West Publishing

Dow Jones & Company, Inc.

Dow Jones Reuters Business Interaction, LLC

Knight Ridder, Inc.

Knight Ridder Digital

Mediastream, Inc.

News Bank, Inc.

Pro Quest Company

Reed Elsevier, Inc.

Union-Tribune Publishing Company

Times Company

Copley Press, Inc. EBSCA Industries, Inc.

Participating Publisher Tribune Company

Thursday, May 28, 2009

EFF Launches Free, Creative Commons-licensed "Teaching Copyright" Curriculum and Website

According to an announcement from the EFF (Electronic Frontier Foundation), "last week, the Copyright Alliance Education Foundation (a nonprofit mouth piece for the entertainment and software industries) unveiled plans to spread its protectionist ideas to the nation's schools and libraries through the distribution of a curriculum titled 'Think First,Copy Later.'"

The EFF states that the "Think First, Copy Later" curriculum is similar in nature to other intimidating educational materials produced by corporate interests such as the MPAA, RIAA, Business Software Alliance -- these types of educational materials are created, according to the EFF, to "scare students into believing that making copies is wrong."

But what students and teachers don't need, is more intimidation. Instead, the EFF recognizes that what is needed is "solid, accurate information that will help them make smart choices about how to use new technologies." In response to this, EFF has just launched a free, Creative Commons-licensed "Teaching Copyright" curriculum and website "to help educators explore copyright issues in their classrooms."

The materials appear to be very easy to navigate and understand, and will "encourage students to discover their legal rights and responsibilities — including how to make full and fair use of technology that is revolutionizing learning and the exchange of information."

The EFF teaching materials and curriculum can be accessed here:

http://www.teachingcopyright.org/

Thursday, May 21, 2009

US Congressional Caucus says Canada is a "Safe-Haven for Pirates"

http://www.pcworld.com/article/165267/congress_to_monitor_canada_spain_for_copyright_violations.html

According to the Congressional International Anti-Piracy Caucus briefing paper: "Canada: The country does not have legislation or legal rulings that 'clearly provide an effective means for copyright holders to protect their works from online piracy. This legal void has made Canada an attractive location for illicit Web sites, and Canada has regrettably become known as a 'safe haven' for Internet pirates.'"

Wednesday, May 20, 2009

Canada Put On Another US "Watch" List

In addition to being placed on the "301" list last week by the office of US trade representative, Michael Geist reports that a US Congressional Caucus has just placed Canada on another "list."

"Because one unfounded and unsupportable designation as a pirate nation is never enough, the U.S. Congressional International Anti-Piracy Caucus has placed Canada on a watch list alongside China, Mexico, Russia and Spain. This is a separate list from the USTR Special 301 list."
http://www.michaelgeist.ca/content/view/3990/196/

Just today I revised a chapter that I hadn't read in two years. It discusses Canada's amazing CCH opinion, an opinion that took the US fair use doctrine and broadened it. Copying (fair use) for research, private and commercial is legal in Canada. Downloading for private use is legal, and uploading is not illegal. Canada has taken a pretty clear stand on protecting user rights - the country probably has the broadest user protection of any country. And you can see the results. Obama's committed to enforcing IP rights and will appoint a Czar soon. The content industry will continue to exert pressure, lobbying pressure, on US politicians, and in turn, Canada will continue to be a focus of US attention in this area.

First Person is Convicted Under DMCA for Selling Circumvention Tool

At the DMCA Rulemaking hearings, I recall, I think it was the attorney for the MPAA/RIAA, asserted that no one had ever been convicted under the DMCA for selling/trafficking circumvention tools. While it is not illegal under the DMCA to use these tools, it is illegal to sell them. An example might be a fake access key to access software or a tool to unscramble the CSS on a DVD.

Cnet News reports today that Adonis Gladney has been convicted of selling fake Microsoft product keys.

"Gladney, 24, is believed to be the first person convicted for DMCA violations dealing with the circumvention of security protections on software, according to Assistant U.S. Attorney Craig Missakian. Typically, product keys are used to activate software and are printed on Certificate of Authenticity labels that accompany legitimate products."

http://news.cnet.com/8301-1009_3-10242343-83.html


My opinion is that there's always a balance to be maintained between users/creators and corporate interests. It was clear at the rulemaking hearings that the DMCA's anti-circumvention provisions are completely useless and ineffective. Users are circumventing and creating all kinds of digital remixes. The corporate interests have no choice but to now go after those who sell these kinds of tools that permit hacking. This result also gives me hope though, because maybe the tides are turning for those who circumvent in order to make a fair use of existing materials. If the copyright office grants an exemption to the DMCA for educational users, it will probably be a matter of days before the corporate interests create licenses that permit users to circumvent, and then offer a cheap, legal tool for doing so.

Thursday, May 14, 2009

University Owned Gene Patents Challenged on First Amendment Grounds

"The American Civil Liberties Union and the Public Patent Foundation filed suit on Tuesday to challenge the constitutionality and validity of patents on two human genes linked to breast and ovarian cancer."

http://chronicle.com/news/article/6463/lawsuit-challenges-constitutionality-of-u-of-utahs-patents-on-breast-cancer-genes

Wednesday, May 13, 2009

"Judge Dismisses U. of Missouri's Lawsuit Against a Professor in Dispute Over Inventions"

"A federal judge has dismissed a lawsuit that the University of Missouri system filed against one of its professors in an intellectual-property dispute." See the Chronicle News Blog

http://envoy.lcc.edu:2065/news/article/6471/judge-dismisses-u-of-missouris-lawsuit-against-a-professor-in-dispute-over-inventions

Friday, April 24, 2009

I am going to DC . . .

http://beyondwordsblog.com/2009/04/23/professional-writing-professor-to-testify-about-copyright/

Quote: "Obama Administration Lock(e)s And Loads Against Movie Piracy"

http://www.ip-watch.org/weblog/2009/04/22/obama-administration-lockes-and-loads-against-movie-piracy/

From the Intellectual Property Watch:By Liza Porteus Viana for Intellectual Property Watch @ 12:41 am

[being quote]WASHINGTON, DC - The Obama administration will fight for the movie industry and work to aggressively enforce its intellectual property protections both at home and abroad, United States Commerce Secretary Gary Locke said here Tuesday.

Locke offered almost unabashed support for the industry, which, according to a report released Tuesday [pdf] by the Motion Picture Association of America (MPAA), created 2.5 million American jobs in 2007, paid an average production worker US$74,700 a year in salary, paid out $41.1 billion in salaries to American workers, paid $13 billion in income and sales tax and was responsible for $13.6 billion in trade surplus.[end quote]

I am really concerned about the one-sidedness of Locke's perspective. Where are the voices of the NCTE lobbyists? Do they even know what is at stake here?

Friday, March 27, 2009

Berkman Center Provides Info on How To Blog Anonymously

While I don't encourage anonymity in digital writing because I'm strongly in favor of accountability, in some places you cannot say what you think about political events because if you do you could go to jail or even worse. So, for those who feel the need to blog anonymously, the Berkman Center has some advice.

http://blogs.law.harvard.edu/idblog/2009/03/25/how-to-blog-anonymously/

Wednesday, March 25, 2009

Student 4th Amendment Search Case to be Heard by the Supreme Court April 21

Safford Unified School District v. Redding, Docket No. 08-479



Safford Unified School District v. Redding, Docket No. 08-479

Briefs can be read here:

http://www.abanet.org/publiced/preview/briefs/april09.shtml#071428

Citizen Media Law Project and Cyberlaw Clinic Lead Amicus Effort Promoting Rights of Anonymous Online Speakers in Illinois

"Cambridge, MA - March 25, 2009 - In a case involving important First Amendment rights, the Citizen Media Law Project ("CMLP") joined a number of media and advocacy organizations, including Gannett Co., Inc., Hearst Corporation, Illinois Press Association, Online News Association, Public Citizen, Reporters Committee for Freedom of the Press, and Tribune Company, in asking an Illinois appellate court to protect the rights of anonymous speakers online by imposing procedural safeguards before requiring that their identities be disclosed."

http://cyber.law.harvard.edu/newsroom/CMLP_Maxon-v-Ottawa

Friday, March 20, 2009

Internet filter list of porn exposed

In Austrailia: "THE Rudd Government's plans for a nationwide internet filter are in jeopardy after its top-secret blacklist of banned web pages was leaked."

The comments attached to this article are spectacular.

http://www.australianit.news.com.au/story/0,24897,25214571-15306,00.html